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The Once and Future King
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The complete "box set" of T. H. White's epic fantasy novel of the Arthurian legend. The novel is made up of five parts: "The Sword in the Stone", "The Witch in the Wood", "The Ill-Made Knight", "The Candle in the Wind", and "The Book of Merlyn".
Merlyn instructs the Wart (Arthur) and his brother, Sir Kay, in the ways of the world. One of them will need it: the king has died, leaving no heir, and a rightful one must be found by pulling a sword from an anvil resting on a stone. In the second and third parts of the novel, Arthur has become king and the kingdom is threatened from the north. In the final two books, the ageing king faces his greatest challenge, when his own son threatens to overthrow him. In "The Book of Merlyn", Arthur's tutor Merlyn reappears and teaches him that, even in the face of apparent ruin, there is hope.
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Audible Audiobook
Listening Length: 33 hours
Program Type: Audiobook
Version: Unabridged
Publisher: Naxos AudioBooks
Audible.com Release Date: December 26, 2010
Whispersync for Voice: Ready
Language: English, English
ASIN: B00546D57K
Amazon Best Sellers Rank:
I first heard of the Once and Future King in the critical reviews of my favorite fantasy series, A Song of Ice and Fire. Hearing the Once and Future King praised as one of the greatest fantasy classics created a certain set of expectations for this book, which it wholly failed to live up to.This book has two major problems: the narration and the pacing. The first section of the book details Arthur's childhood, and is 100% a Charlie and the Chocolate Factory-esque children's book. Arthur gets turned into animals so he can learn from them. He meets some massively ineffective knights for the comedy of watching them fail. White constantly inserts forced references to ordinary 1950's england. And this nonsense drags on for 150 pages. Worse, the super-innocent, super-naive voice continues well on into adulthood. It just makes the whole book seem childish. It's not until Lancelot shows up halway through the book that any character can truly be said to be interesting.Even the basic plot, once you get through all the filler, isn't great. Arthur basically has to invent morality from scratch in this book, and while White does as good job as possible, 'War and killing people is bad, let's get people to stop it', is a very simplistic premise most stories can just take for a given. And it doesn't help that these stories were written when the British Empire was still a thing. Some of the moral preaching can come off as ridiculous to modern audiences.All in all, I regret reading this book, and I only avoid giving it one star because I think I might have enjoyed it more when I was seven.
I spent the summer reading this along with my daughter, who had been assigned it for summer homework prior to her freshman year in high school. This volume is actually a composite of four books that were initially published separately between 1938 and 1958. The first is rather different from the others. It is about the future King Arthur's experiences as a boy while he was being tutored by Merlyn. It's a series of adventures in which Arthur is turned into various animals by way of educating him about governance. It is the most like a children's story of the four books, and it is very, very dull for the most part--though King Pellinore and his Questing Beast are delightful. The second book tells the story of Arthur's nephews, who are destined to cause problems in the future. They're raised by a witch who--and this is almost the only thing I remember from the book--boils a cat alive for purposes of magic. It's a horrific but superbly written scene. But things actually get good in the third book, when Lancelot is introduced. His relationship with Arthur and Arthur's wife Guenever form the spine of books three and four. Their love triangle--for they all love one another--is tragic and nuanced. The book is over-long, if one can criticize a classic such as this: so much detail; and those tiresome animal stories at the beginning would turn off many a reader. It's as if White wanted to weed out the chaff among his readers and save the better stuff for the hardy few. But ultimately it is worth the read, and it ends well, with the final chapter of book four summing things up well.
"The Sword in the Stone": Okay."The Queen of Air and Darkness": A bit better but not great."The Ill-Made Knight": Made the previous two books worth it. Absolutely incredible. It has a strong claim to be the second best fantasy (to Tolkien's masterpiece) ever. White is a genius when it comes to characterization, and his portrayal of Lancelot is full of incredible nuance. He makes the ill-made knight more human than I've ever even seen somebody attempt to do. The previous two books are important as set-up, though."The Candle in the Wind": One of the greatest tragedies I've ever seen, on par with Shakespeare. Once again, every single character feels alive. Even Mordred is presented with more sympathy than I thought possible. The ending is moving and heartbreaking.Conclusion: Despite a slow start, the book is a masterpiece.
I was reading through the one-star reviews, and I felt that I should mount a defence of my favourite book. First of all, I think it's rather important to remember that The Once and Future King is not a book about King Arthur. It is a book about being human, and about the misery and joy which attend that particular condition. It is a book about T.H. White's peculiar solitude, about loving nature more than men, and about loving humans fiercely for their flaws and their sorrows, and for the hollowness of their glory.Coming from this perspective, I think that White is one of the only modern writers whose approach to Camelot mirrors that of the original Arthurian authors. Chretien de Troyes and Mallory were not writing about Arthur, they were writing about their own times -- the places and fashions that mattered, the people and manners that they experienced, reflected in the idealized mirror of Arthur.The Once and Future King is about White's experiences with war and tragedy -- these are mirrored in the childish foolishness and aged grief of the Wart, and muddled into the tragedy of Lancelot and Guenever. It is not always an easy book. It is very obviously a product of its own peculiar place and time, as all good Arthurian stories should be. It is my favourite book.
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